![]() This quilt came together pretty easily, and I am really happy with the result. The traditional method would be hand whip stitching (I did this on the quilt Low Volume Fail, Pastel Win), but I wanted to experiment with using a sewing machine, so I selected a triple zig zag stitch. I seriously considered how to join the blocks. Side note- I still prefer doing bias with mitered corners. The binding is cut on the straight grain and each side is bound individually (rather than with mitered corners) as a nod to how quilts were sometimes bound in potholder quilts. I went with an orange from Carolyn Friedlander’s collection since it worked well with both the grey and the blue sides of the quilt.įor the quilting design I used straight line quilting paired with radiating arcs. While selecting fabrics, I decided that both sides of the quilt wanted a jolt of color. Originally, I planned to unite the front and back of the quilt by making the accent pieces the same color as the reverse side of the quilt. (I always try to design in necessary seams when I can!) I planned accent strips (the orange stripes in the finished quilt) to add visual interest and create a natural place to seam fabric together for “logs” longer than the width of the fabric. Each “log” is its own bound block.įirst, I drafted the layout for the quilt. I landed on the idea of creating a modern Log Cabin block on a large scale. I wanted my first project using this method to be fairly straightforward, but I didn’t want to go with a super traditional layout of square blocks either. It is completely plausible to quilt even the largest quilts on a domestic sewing machine using this technique since you are only quilting a small portion at a time.Since much of the design comes from the binding of the blocks, you can really show off some of those gorgeous fabrics that are available to us now.The individually bound blocks naturally create a quilt which has a design on both the front and back of the quilt- Its like getting two quilts for the work of one!.This quilting technique would work well in a modern context because: When the group would meet, they could whip stitch the blocks together and quickly produce a finished quilt. Each person working on the project could piece, quilt, and bind individual blocks. This technique was popular during the US Civil War for group quilts made to send to soldiers. A potholder quilt is created by quilting and binding individual blocks before whip stitching them together to form a quilt. Several years ago I had been to an exhibit at The Wadsworth Atheneum in Hartford, Connecticut which included a “potholder” quilt from around the Civil War. ‘With many of us now spending significantly more time at home than ever before, our collective notion of a ‘home away from home’ needed to be redefined to fit our newly limited range for travel.When I first decided that I wanted to return to quilting, I wanted to create a piece which had been floating around in the back of my mind for awhile. ‘As a concept, Space of Mind was initially developed in response to the on-going pandemic,’ says the team. It has been created light enough to travel and install even in the remotest locations. Coming at just under 10 sq m total, the compact space comes with its own custom furniture that attaches to the wooden structure. Architecture studio Puisto, specialist interiors manufacturers Protos Demos and design house Made by Choice created the modern cabin as a dedicated space to think, recharge and unwind – ‘somewhere we can find our own peace of mind,’ explains the team. The cabin, a clean, minimalist, contemporary design, is made as a mass timber construction using ecologically sourced Finnish wood – this means it’s very durable against the elements too. It could sit in a back yard, a more rural setting, or even a rooftop. (Image credit: Photography: Marc Goodwin)Ī collaboration between three Finnish studios, Space of Mind was conceived as a modular cabin to house a workspace, personal yoga or meditation studio, art studio, or guest bedroom.
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